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New article in JTR on “The Homecoming”

10 June 2021 | A Single LeafAnna Smol

I’m pleased to announce that my co-author, Rebecca Foster, and I have recently published our study of Tolkien’s alliterative verse in his play, The Homecoming of Beorhtnoth Beorhthelm’s Son” in the free and open access Journal of Tolkien Research (see J.R.R. Tolkien’s Homecoming” and modern alliterative metre) — ed.).… This article enabled me to draw on my readings in Tolkien’s unpublished manuscripts held at the Bodleian Library. I included only a few quotations from Tolkien’s lectures and essays, but they represent many happy research trips devouring this information in the special collections reading room in Oxford.…


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I’m pleased to announce that my co-author, Rebecca Foster, and I have recently published our study of Tolkien’s alliterative verse in his play, The Homecoming of Beorhtnoth Beorhthelm’s Son” in the free and open access Journal of Tolkien Research. In case you’re curious about its contents, here is the abstract:

J.R.R. Tolkien’s Homecoming’ and Modern Alliterative Metre”

J.R.R. Tolkien’s The Homecoming of Beorhtnoth Beorhthelm’s Son” is a modern English alliterative verse drama written in the metre of Old English poetry and demonstrating his interest in versification and his skill in writing original alliterative verse in new and versatile ways. Tolkien’s originality also lies in his use of alliterative metre in a play, a genre not written by the early English; in fact, The Homecoming” is Tolkien’s only published drama as well as historical fiction. While Tolkien bases this work on historical events recounted in the Old English poem The Battle of Maldon,” he also uses his drama to illustrate some of his scholarly theories about Old English alliterative poetry and poetic tradition and to imagine how The Battle of Maldon” came to be written. Our examination of his careful handling of the play’s verses as well as his detailed study of alliterative metre, evident in his unpublished manuscripts and in his essay on the topic, shows how he creates various styles in modern English alliterative verse, from colloquial and conversational passages to highly styled set pieces. Our discussion includes consideration of the two characters in the play and their views on and use of alliterative poetry.

You can download the full article here: https://​schol​ar​.valpo​.edu/​j​o​u​r​n​a​l​o​f​t​o​l​k​i​e​n​r​e​s​e​a​r​c​h​/​v​o​l​1​2​/​i​ss1/3

This article enabled me to draw on my readings in Tolkien’s unpublished manuscripts held at the Bodleian Library. I included only a few quotations from Tolkien’s lectures and essays, but they represent many happy research trips devouring this information in the special collections reading room in Oxford.

I’ve also written about The Homecoming” in the volume titled Something Has Gone Crack”: New Perspectives on J.R.R. Tolkien in the Great War, edited by Janet Brennan Croft and Annika Röttinger. My essay in that book, Bodies in War: Medieval and Modern Tensions in The Homecoming’” talks about the play as a piece that explores Tolkien’s views on heroic poetry and war. You can find out more about my views on The Homecoming” here and here. As you can see, I have a lot to say about The Homecoming” and think it should become better known among Tolkien readers.

For this recent JTR piece, I was grateful to be working with Rebecca Foster, especially for her patience and discriminating ear, which contributed significantly to the metrical analysis. Look for more work in the future by Rebecca on Tolkien and medieval and contemporary poetry.

[Full text is provided here in the event that the original blog post is no longer available. If possible, please read the original post at Anna Smol: A Single Leaf – Department of English, Mount Saint Vincent University.]

Authoritative information may be found here.

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date recorded 📅2021-06-27
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