Ali Ghaderi, independent scholar
Arda’s ladies have complex identities. Although they play a few crucial roles, they are by no means less influential than men in Arda’s history. Building on this and focusing on Beren and Lúthien’s story, I intend to address the representation of female identity in relation to the course of ‘History’ Tolkien created. To do so, I will investigate the concepts of identity and love in Lúthien’s subjectivity under the paradigms introduced through Judith Butler’s feministic reading of Hegel’s view on love. Butler argues that the object of desire is born through performativity of its representation over time. Accordingly, I will argue that pairs of love/loss and desire/lack lead Lúthien to uncertainty, otherness, and ambivalence. In return, this transforms Lúthien’s journey into a representation of love and a path of desire for recognition. Consequently, this desire forges for her identity a great asset to exercise its power and freedom to define and shape the spirit of her age.
Gözde Ersoy, Assistant Professor of English Literature, Muğla Sıtkı Koçman University
John Clute devised his model of full-fantasy in 1997 and then updated it in 2011. According to him, there are four gradual phases in fantasy: wrongness, thinning, recognition, and return. Roverandom can be identified as a smaller scale portal-quest fantasy, whereby the fantastic appears through entries, negotiations, transitions, and personal dealings. In this quest, the goal for Rover is to regain the original dog size and qualities. Throughout the paper presentation, I would like to explain the transforming adventures of the novel with a fictionalized maturation framework developed by me. The name of the model is “The Representation of Human Agency in Quest Fantasy Literature” (2016). Through drawing on from philosphy, psychology, sociology, and educational theories, it aims to outline the tracks and social integration processes within the adventurous journeys. Inspired by Clute’s model, the new model offers to sunstantiate the stages of self-growth within fantasy fiction novels.
Timothy Tolkien, independent scholar
An in-depth analysis of Tolkien family tree from a different perspective, exploring the history of the Tolkien family tree , how the name arrived in Britain, and the effects of association to J.R.R. Tolkien.
Aslı Bülbül, Postgraduate, University of Glasgow
Among Tolkien’s inventions, light is one of the most intriguing imageries to be found in the secondary world. This paper answers the most classic question of physics about light, whether it is a wave or a particle, for the secondary world: this is by no means a physics article but a literary experiment welcoming a multidisciplinary approach. In a letter to his son Christopher, Tolkien mentions ‘a sudden vision (or perhaps apperception)’ (99) he has in St Gregory’s church: he perceives the Light of God in which there is one small mote with which he identifies, but he also sees the connection between the Light and mote as one individual ray, which he describes as a line. This paper asserts that Tolkien regards light imagery in the primary world as both a wave and a particle, and introduces his observation into his secondary world: the unstoppable photons, which are particles forming light and also acting like waves in the primary world, reverberate in the form of the Flame Imperishable.
Andoni Cossio, PhD student, Euskal Herriko Unibertsitatea
This paper proposes the addition of four items to “Section A” of Oronzo Cilli’s Tolkien’s library: An annotated checklist (2019) and the inclusion of complementary information to two other entries after demonstrating J.R.R. Tolkien’s ownership and acquaintance with the volumes. Tolkien’s contribution to Derek J. Price’s editorial labor and possession of photostats of The Equatorie of the Planetis (c. 1393) as well as editions of Handlyng Synne (started in 1303), Ormulum (c. 1170 – 1180) and Heimskringla (c. 1220 – 1230) seem mere encyclopedic data in appearance. However, the addenda reveal strong potential for future investigations by disclosing: the reasons behind Tolkien’s personal interest in scribal corruption, an attempt to anglicize Old Norse dróttkvætt verse, the whereabouts of a batch of twenty to thirty books owned by him, further scholarly attention paid to Handlyng Synne and Ormulum, and Christopher Tolkien’s friendship with Eric Christiansen.