Tolkienists.org

Tolkien at Kalamazoo Symposium

2021: In memory of Richard C. West

4th annual” symposium



Session 1

8 May 2021 14:30 utc — view in local time

    Papers

    № 2: Tolkien’s ‘first map of The Lord of the Rings: Reconnecting the lost connections’

    Erik Mueller-Harder, independent scholar

    Thirty-two years ago, Christopher Tolkien introduced us to what he called the First Map of The Lord of the Rings.” Though now it’s a world traveller, showcased in climate-controlled library exhibitions such as the recent Tolkien: Maker of Middle-earth and Tolkien: Voyage en Terre du Milieu as well as 1990’s J.R.R. Tolkien: Life and Legend, the map had a rough early life, in constant use,” according to Christopher Tolkien, from its initial construction right up until his father began writing Book V of LotR in (probably) late 1946.

    An examination of the map’s initial construction and subsequent alterations shows imperfections and inconsistencies in its reference base, often offsetting nearly five or ten miles of mapped Middle-earth terrain; Tolkien worked around these as he drew, taking them into account. But these offsets are as nothing when compared to the continental drift” caused by constant creasing and folding and subsequent repair work. As Christopher Tolkien writes, it is wrinkled, creased, and broken from constant use, so that connections are lost.…” Indeed, misalignments and gaps in many places are 25 miles wide.

    With diligent work, we can digitally realign misaligned sections of the map, correcting some of the injuries and misrepairs of the map’s later years while not ourselves hyper-repairing the map’s initial faults. This can give us a much clearer picture of what this map looked like near the end of its active life.

    Further, we can create multiple redrawings of the map which can give us insight into how it looked at various earlier stages of its development.

    № 3: Tolkien the playwright

    Anna Smol, Professor of English, Mount Saint Vincent University

    In this paper, I discuss Tolkien’s only published play, The Homecoming of Beorhtnoth Beorhthelm’s Son.” I point out his personal interest in dramatic performance from an early age, and his adult recitations of various texts, such as Chaucer’s Reeve’s Tale, Beowulf, passages from The Hobbit, and his recording of The Homecoming.” I examine the stage directions in various drafts of The Homecoming” that indicate Tolkien’s expectation that the play could be performed on stage. I contend that besides illustrating themes that connect to other texts by Tolkien, the play is remarkable for its handling of various styles of alliterative metre. 

    Special thanks to the Tolkien Society for providing their online platform to present and record these presentations!

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    date recorded 📅2021-08-10
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